Wireless Systems

Here is how this works in practice. We supply grown wireless systems for shoots across Austria that need many simultaneous channels, combining wireless microphone racks, IFB distribution, camera-hop links and director's help feeds into a set up package. Inventory is sourced from Vienna-based rental houses, the centre of Austria's gear-rental market, with large multi-channel systems routinely fly-in from Munich, a four-hour drive away, since Austria sits inside the EU single market.

Here is the breakdown. Our team plans channel allocation across departments before the shoot so audio, comms and help links never collide, and delivers systems frequency-scanned and production-ready. For multi-unit days across the Wachau Danube valley or large-cast shoots at Vienna soundstages, our wireless inventory scales to demand without compromising channel clarity.

Here is what that looks like on the ground. All wireless transmission in Austria sits on UHF range covered by the RTR and the telecoms authority, the Fernmeldebehörde, under EU-harmonised allocation. Our team sets up the full frequency plan in advance so a busy production stays legal and trouble-free in radio-dense central Vienna and at crowded event locations.

Here is how the picture comes together. Alpine and winter shoots — on the Grossglockner High Alpine Road, around Sölden in the Ötztal where James Bond Spectre filmed, or across the Tyrolean Alps — call for cold-weather battery running and condensation control across each transmitter and receiver, plus repeater placement planning where alpine terrain blocks line-of-sight.

Non-EU shoots importing wireless kit clear ATA Carnets through Zollamt Österreich, with Vienna Global Airport the main air-cargo gateway. Intra-EU gear moves freely with no carnet. Wireless systems carry EU-standard insurance cover.