
SCENE 01 / COMMUNICATION SYSTEMS
Communication Systems
Professional on-set communication equipment keeping your production coordinated and running smoothly.
Here is how this works in practice. Production comms kit keep departments set up across sets, stages, and remote locations. Pro intercom systems, walkie-talkies, and wireless comms networks enable real-time planning between directors, assistant directors, camera, sound, and production management across the shooting day.
Here is the short of it. We give and configure comms kit packages scaled to your production's crew size and location complexity. Our team handles channel planning, gear distribution, and tech setup so your departments can communicate reliably from the first call to wrap each day.
Capabilities
Complete Communication Solutions
From basic walkie-talkies to full broadcast intercom systems, we provide communication equipment that keeps every department connected and coordinated.
01
Two-Way Radios
- Motorola digital systems
- Multi-channel radios
- Long-range units
- Waterproof handsets
- Repeater systems
Reliable Coverage
02
Headset Systems
- Production headsets
- Surveillance earpieces
- Noise-cancelling units
- Boom operator comms
- Director headsets
Hands-Free Comms
03
Intercom Systems
- Clear-Com systems
- Riedel artist series
- Wireless beltpacks
- Base stations
- Camera talkback
Pro Intercom
04
Specialty Comms
- IFB systems
- Video village feeds
- Multi-zone coordination
- Stunt coordination systems
- Crowd control comms
Specialized Solutions
On Location
Communication systems for Austrian shoots run on UHF spectrum coordinated through the RTR and the Fernmeldebehörde, with comms planning shaped by alpine terrain and busy Viennese urban environments.
Here is how this works in practice. We supply two-way radio packages, IFB systems, intercom networks and Comtek-style help setups for shoots working across Austria, from compact Viennese units to large location crews spread across alpine terrain. Most pro comms inventory is sourced from Vienna-based rental houses, the centre of Austria's gear-rental market, with specialty units routinely fly-in or trucked from Munich, a four-hour drive away, since Austria sits inside the EU single market and Schengen.
Here is the short of it. Our team scopes channel counts, repeater placement and battery logistics before the shoot, then delivers handsets programmed and frequency-cleared so first AD, camera and grip departments stay connected from the call sheet's first line. For multi-unit days across the Wachau Danube valley or the Salzkammergut lakes, we build cross-band link plans that keep distant units in contact without crowding the production's working channels.
Here is the breakdown. Radio-frequency allocation for comms, IFB and wireless links is covered in Austria by the RTR and the telecoms authority, the Fernmeldebehörde, under EU-harmonised UHF range rules. We set up frequencies in advance so transmissions stay legal and trouble-free in radio-dense central Vienna. Alpine terrain in Tyrol, Salzburg and Carinthia blocks line-of-sight, so our team plans repeater positions on ridgelines and adds cold-weather battery running for winter shoots on the Grossglockner High Alpine Road or around Sölden in the Ötztal.
Here is what that looks like on the ground. Non-EU shoots importing comms kit clear ATA Carnets through Zollamt Österreich, with Vienna Global Airport the main air-cargo gateway. Intra-EU gear moves freely with no carnet. We also factor the Föhn warm dry alpine wind and steep valley acoustics into antenna placement so radio coverage holds across exposed high-altitude locations.
FAQ
Production Communication Expertise
What communication systems do you provide?
Here is the breakdown. We supply complete communication solutions including two-way radios (Motorola digital and analog), production headsets, Clear-Com and Riedel intercom systems, IFB feeds for talent, and specialty planning systems. Gear ranges from basic walkie-talkies to full broadcast intercom installations.
How many radios do I need for my production?
Radio needs depend on crew size and production complexity. Typical feature shoots need 30-80 radios covering all departments. We help check your needs and recommend appropriate quantities with backup units. We can add gear as needed during production.
Can you provide coverage in remote locations?
Yes, we design systems for challenging locations using repeaters, long-range gear, and multi-site planning. We survey locations in advance when possible to identify coverage challenges and deploy appropriate solutions.
Do you handle frequency licensing in Austria?
We set up all frequency licensing needs with Austrian authorities (ANFR). This has short-term production licenses, frequency planning, and compliance records. Lead time differs by location and range availability.
What about intercom systems for video village?
We give complete video village communication including director-to-set comms, camera talkback, script supervisor links, and department planning. Systems can integrate with wireless video for full tracking and communication.
How do you handle equipment for multiple units?
For multi-unit shoots, we design set up communication plans with separate channels per unit, shared frequencies for key staff, and cross-unit planning skills. Each unit receives complete gear packages.
Related Services
Productions in Austria that need this often pair it with Lighting Equipment Rental, Data Management Systems, and Monitoring Equipment Rental for full coverage. Most projects also draw on Wireless Microphone Systems and Monitor & Video Village.
On Set
Need Production Comms?
Tell us about your production and we'll design a communication solution that keeps everyone connected.