Rotoscoping & Cleanup

Here is what we have to work with. We deliver rotoscoping and cleanup through Vienna's VFX facilities, giving the detailed frame-by-frame work that forms the foundation of seamless visual effects. Our team traces precise mattes for element extraction, removes wires, rigs, tracking markers and other production artefacts, and prepares plates so compositing can proceed cleanly.

Here is the layout. Artists work in industry-standard tools. Silhouette for detailed shape work, Nuke for compositing-integrated roto, and Mocha Pro for planar-tracking-helped mattes — and handle challenging elements including fine hair, fur, semi-transparent subjects and motion blur, matching blur direction and intensity to the source.

We manage shot turnover, run careful quality reviews at each stage, and scale the team to meet delivery schedules, returning footage cleanly prepared for the next stage of the VFX pipeline.

Here is how this works in practice. Austria's rotoscoping and cleanup skill sits within Vienna's post-prod cluster, where editing, grading, sound and VFX concentrate. The VFX sector serves ORF drama, the high-volume natural-history and factual content finished by Red Bull Media House and Terra Mater Studios, and global co-productions backed by the Österreichisches Filminstitut and its ÖFI+ and FISA+ rebates.

Here is the short of it. Roto and cleanup underpin each other VFX discipline — compositing, set extension and CG integration all depend on clean mattes and artefact-free plates — so Vienna's facilities build this work into a set up finishing pipeline. The Microsoft Azure 'Austria East' region, opened in Vienna in 2024, supports cloud-based VFX workflows with domestic data residency.

From precision mattes for character work to invisible cleanup on period and alpine shoots. Vienna's rotoscoping infrastructure pairs pixel-accurate craft with tight quality control.