Motion Graphics

Here is how this works in practice. We deliver motion graphics through Vienna's animation and design studios, creating dynamic animated content for titles, lower thirds, data visualisations, explainer sequences and branded material. Our team sets up creative briefs, style development and revision cycles so motion graphics are visually compelling, on-brand and in tech ready for the final deliverable.

Here is the short of it. Studios work across industry-standard tools. Adobe After Effects for 2D motion design, Cinema 4D and Maya for 3D work, and Houdini for tricky simulations. We work from existing brand guidelines or develop new visual systems, build flexible template systems for episodic content that keep consistency across a series, and deliver finished graphics conformed to the tech specs each sites needs, whether for an ORF broadcast, a streaming release, or a digital campaign.

Here is the breakdown. Austria's motion-graphics sector serves a German-language market with steady demand for broadcast and commercial design. Vienna's studios produce graphics packages for ORF, ORF III and ORF-ON, ServusTV — the Red Bull channel based in Salzburg — and the commercial TV networks Puls 4 and ATV, alongside commercials and corporate shoots. As an EBU member market, broadcast graphics conform to EBU tech specs, with German and English versioning standard and text reflow handled for multi-language deliverables.

Here is what that looks like on the ground. The capital's design culture is deep. Vienna has a long custom in typography and graphic arts — and motion-graphics studios sit within the wider post-prod cluster of editing, grading, sound and VFX. The high-volume factual and natural-history output of Red Bull Media House and Terra Mater Studios drives further demand for steady graphics across long-form series. From broadcast packages to brand campaigns, Vienna's motion-graphics infrastructure pairs design craft with broadcast-grade delivery.