Multi-Cam Sync Editing

Here is how this works in practice. We deliver multi-camera synchronisation and editing through Vienna's post-prod editing facilities, turning many camera angles into seamless, dynamic shoots. Our team synchronises feeds frame-accurately using timecode, audio-waveform matching and visual sync points, builds creative angle-switching that captures the energy of a performance or event, and matches colour across mixed camera kits for visual consistency.

Here is the short of it. We handle shoots from two-camera interviews to large-scale concert and event coverage with dozens of simultaneous feeds, integrating multi-source audio so each angle change holds sync. We set up media running and proxy workflows, deliver picture-locked multi-cam edits prepared for finishing, and conform output to the tech specs the release needs — whether for an ORF broadcast, a streaming sites, or theatrical event capture.

Here is the breakdown. Austria's multi-cam editing work is strengthened by Vienna's standing as the global 'City of Music'. The city's concert and performance culture — the Vienna Philharmonic, the Vienna State Opera, the Musikverein and the Konzerthaus, alongside the Salzburg Festival — creates a steady flow of multi-camera music and event shoots, and the editing sector that serves them is fluent in cutting performance to musical structure.

Here is the breakdown. Vienna's facilities also handle multi-cam editing for ORF live events, broadcast factual programming, and content from Red Bull Media House, the Salzburg-based media operation behind ServusTV. As an EBU member market, broadcast multi-cam deliverables conform to EBU tech specs, with German and English versioning standard for the German-language audience.

From concert capture to broadcast events, Vienna's multi-cam infrastructure pairs frame-accurate sync with the rhythmic sensibility of a music capital.